Frankincense
Slow-infused resinGolden resin tears with a clear, almost citrus-bright top note over something woody. Traditionally appreciated in botanical preparations.
Spring infusions are pouring now — quantities are limited to what this batch yielded. Shop the batch
Botanical library
Each botanical here is selected for its aromatic and cosmetic properties, and for its place in long-standing herbal traditions. We list every one, in plain language, with nothing hidden behind a fragrance blend.
Golden resin tears with a clear, almost citrus-bright top note over something woody. Traditionally appreciated in botanical preparations.
A dark resin with a warm, faintly bitter aroma, known in herbal traditions for a very long time. Broken by hand before infusing so the oil can work into it properly.
The broad-leafed plant of lawns and path edges, not the fruit. Long-standing in herbal practice. Dried thoroughly before it goes into the oil.
Small dried flowers with a soft, hay-like sweetness. One of the gentlest botanicals we work with at VeritaBalm.
Gathered whole, dried slowly, then broken by hand and infused in olive oil. The aroma is resinous and cold-air clean. Employed for centuries as a protective skin tonic and a revered forest botanical.
Deep, earthy and unmistakable scent. A deep fragrance that evokes damp soil, ancient woods and sweet rain. Considered a grounding, stabilizing herb.
Rose-scented garden geranium, green and floral at once.
Field clover blossoms, dried and infused whole. Long revered for its properties, clover lends a faintly sweet warmth leaving your skin feeling deeply nourished and protected.
A low purple-flowered plant of meadows and verges that has a long place in herbal practice. Infused whole in olive oil.
One of the two carrier oils every infusion starts from. Heavier and greener than avocado oil, and the better choice for delicate botanicals. Four to six weeks in a cool dark cupboard.
Richer and more luxurious in feel than olive oil, with a deep colour of its own before anything is added. Used where we want a balm to melt more readily against the skin.
Thick and glossy, used in small proportion to give a balm slip and a subtle sheen.
Tocopherol, added at the blending stage. It is an antioxidant that helps the infused oils keep their character for longer in the jar, which is the same reason we use brown glass.
In the jar
Every salve lists its botanicals in full on its own page, along with the oils they were infused in.